The Inventor

Thomas Edison and Benjamin Franklin are well-known inventors. Considering the available resources of their times, they took the world to new places. Henry Ford did likewise. Not only is he credited for the first car, he also came up with the idea for assembly-line work.

Smaller inventions have impact as well. Think of the shoelace, the whisk, the cast iron pot. Roller skates led to roller blades. Did snowboards precede skateboards? Imagine how the chair lift changed skiing and the outboard motor impacted fishing.

Your task is to write a story in which your protagonist is either struggling to invent something, or has done so and is trying to convince the market that her product is worthwhile.

Make it interesting by showing the issues that are impacting the character. Let readers see the setting, but also hear words shared.

Tension will pop-up as your character interacts with the device and with others.

Have fun with this one.

Food Inspiration

Many key things occur during the preparation or consumption of food.

In a wealthy household, there might be an entire staff working in the kitchen. Scullery maids did the dirty work of cleaning endless amounts of pots and pans. Cooks slaved over wood-burning stoves and ovens, chopped fruits, vegetables and meats, rolled pastries all while issuing commands to those under their watch.

Imagine the conversations that took place. Most likely there was a fair bit of gossip tossed about the family and townspeople alike.

In the dining room circumstances were quite different. Wealthy patrons were waited on by unformed servants. Course after course was served. Conversation might have covered contemporary issues, politics, entertainments and relationships.

Things are very different in the homes of the less wealthy, even today. Instead of maids, the wife does the cooking and cleaning. Kids help out, and in more egalitarian marriages, so do the husbands.

Regardless, topics of conversation might be quite similar.

Your task is to write a story in which the preparation and consumption of food plays an important role. Establish the setting and key characters, then get the action moving. Dialogue is going to be important, so make sure there is enough to allow readers to see what is going on.

Have fun with this one.

Lying

            It would be nice to never have to lie, but that’s a naïve idea. Telling the truth, can at times, create difficult situations that have serious repercussions.

            Imagine that a loved one emerges from her room wearing a new outfit. She asks how she looks in it. Your honest opinion is that the color, style or fit aren’t complimentary. However, if you tell her that, she might get angry, might fight back, might hide in her room. So you smile, say something noncommittal such as, “Looks nice.”

            What if instead of a loved one, it’s your boss asking your opinion about a project idea. You have experienced this exact situation before and so know that it you express doubt, all hell will break out. When you look at the details, you know immediately that it’s a lousy proposal that could cost the company a client, or waste money, or even lead to a potential lawsuit.

            Sometimes we have no choice but to lie even when we know that to do so, isn’t right.

            Your task is to write a story in which your character is forced to either lie or tell the truth. Make the stakes high enough that the character has something to lose.

            Use a combination of narrative and dialogue. There must be tension! And conflict.

            Have fun with this one.

Welcome Phone Call

            Do you have a good friend that you miss? Have you called them but they never call back? What do you do?

            I’ve given up. After always being the one reaching out and never having the effort reciprocated, I’ve stopped dialing. Imagine my dismay when that friend doesn’t call, no matter how much time passes.

            Your protagonist most likely has similar tales to tell. Long lost friends or acquaintances that no matter how often she reaches out, they never respond in kind. Does your character write them off? Sit back and not dwell on past times?

            Your task is to write a story in which your character is missing a good friend. Perhaps one of them moved far away, making getting together challenging. Or maybe they got new jobs that are time intensive, making socialization difficult.

            Establish setting and tone first. Show us the character in her natural world. We want to see her reaching out, being rejected, and experiencing loss. Show us how she handles the passage of time. And then, what happens when the call finally comes!

            Have fun with this one.

Favorite Activity

            Recall a time when you participated in an activity for the first time, only to discover that you truly enjoyed it. Perhaps you liked it so much that you incorporated it into your life. When given a chance, you’d go for a hike, toss out a fishing line, make something from yarn or go bowling.

            These activities enriched your life by adding a texture that was missing. Stories were told based upon your exploits or creations shared that you made with fabric, wood or yarn. Friendships developed among those who shared your interests. Together you went places and did things that perhaps you still recall in vivid detail.

            Your character needs to have a favorite activity. It might not be the driving force of the story, but it’s there in the background. It influences the way she thinks and interacts.

            Your task is to write a story in which your character either discovers an activity that she enjoys or participates in one that she hates. Details are important. Dialogue is needed to bring the character into the activity, for most often we are drawn to new experiences through people in our circle. Bring in the senses and the emotions. Readers will want to be there as your character explores the activity, from beginning to end.

            Have fun with this one.

Spin the Globe

            Imagine spinning a globe, dropping your finger on wherever it stops, then declaring that’s your next vacation destination. Hopefully you’re going someplace you’ve always wanted to see. But what if it isn’t?

            Would you pretend that your finger didn’t hit that spot? Choose the one you really wanted? Or stay with the original?

            Now place that globe before your protagonist. Why has she chosen this method for planning a trip? Is she adventurous? Foolhardy? Has she already gone everywhere she’d hoped to be and so is open to new, random choices?

            What does she do if she’s pleased? If she’s disappointed?

            Is this enacted in the privacy of her home or does she make a big production in front of family and friends? Doing so in public allows for tension, dialogue, comradery, and banter.

            Include both description and dialogue, but especially emotions. After all, this requires seeing the emotions flash across her face.

            Have fun with this one.

A Sweet Story

Around Valentine’s Day advertisements appear in which a beau gives a potential lover a red heart-shaped box of rich chocolates. Candy releases pleasure chemicals into the brain, so it symbolizes the sweet feelings in a relationship. The giver intends to make an impression and imply that their love is durable, lasting a good long time.

Who doesn’t like a bit of sweetness now and then? And if it comes from someone that you care about, it gives a warm, pleasant feeling.

Your task is to write a story in which candy plays an important part. It could begin with the making of chocolate by a chocolatier or the buying of the candy at a store that specializes in expensive chocolates.

Your protagonist can be the maker, the giver or the recipient, whichever you feel the most comfortable writing.

Readers will want some form of tension. It could come in the creation of something new, some recipe that doesn’t work out right at the beginning. Perhaps the giver agonizes over the perfect choice of candy, be it the hearts with imprinted sayings, peanut-butter stuffed chocolates or expensive truffles in a gold-foil wrapped box.

And then there’s the recipient who might now expect or appreciate the gift or the giver!

Narrative description is important, but so is dialogue. The dialogue could contain some humor as well as angst.

Have fun with this one.

Monster Attack

            Do you remember the first movie you saw in which a monster arrived, creating havoc wherever it went? Most likely you were both horrified and entranced. Your eyes were glued to the television as the monster destroyed buildings, tossed cars and grabbed people off the street.

            Today the horror genre is incredibly popular. Moviegoers seem to eagerly await the next new monster, whether it comes from sea, air or land. There’s something intriguing about a foreign entity spewing drool and fire as it crushes a famous city.

            Your task is to write a story in which a monster invades a city that you know well. By choosing a known setting, you can include realistic concepts such as existing buildings and street names.

            Your protagonist can be the monster or the hero who fights to save the world. Descriptions is important so that readers can visualize your monster as well as the place, time and actions taken to fight it.

            Include dialogue as well so that readers understand what’s going through your protagonist’s mind.

            Have fun with this one.

The Interview

            When needing to fill a job opening, employers interview prospective candidates. They ask about relevant experiences and training, interests and hopes in terms of longevity at the place of business, strengths and weaknesses, in order to gauge how well the individual will fit.

            Imagine that, instead of being interviewed for a job, that your character is being asked personal questions, such favorite food, preferred social activities, types of books read and movies watched and where he likes to spend free time. Such questions delineate personality, and if used to form the character’s perspective, allow readers a deeper understanding as to how a character might react in a given situation.

            The answers might never show up in story, but they could. Perhaps a new play opens, one that she has been looking forward to seeing. She might ask a friend or two to go with her. She might stand in line for tickets. She might get dressed up for a dinner date before the show.

            Your task is to interview your character asking the types of questions that reveal deeper thoughts and interests. Record both questions and responses.

            Write a scene in which the character is presented with an opportunity to participate in a preferred activity. Who does he invite to share it with? How does he invite the person? What happens before, during and after?

            Use a combination of narrative and dialogue. Include some friction so that the story has tension.

            Have fun with this one.

Reality Check

A reality check is utilized as a means to clarify or correct a misconception. If properly delivered, it can you makes the individual recognize the truth about a situation, especially by countering any difficulties and challenges that seem to prevent success.

Imagine wanting to lose weight. You research dieting techniques, go shopping for the recommended foods, tell yourself that tomorrow you will begin. Tomorrow comes and for lunch you order an ice cream sundae with the works. By the time you’ve finished it, you’re stuffed and miserable. You tell yourself that you failed, that you are a failure and will always be a failure so there’s no hope.

Taking time to reflect might allow you to see that it was just one slip up and that the rest of the day is open to success. One failure does not doom the plan.

That’s the benefit of a reality check. It helps us to step back and evaluate our performance as just one part of a whole.

Your task is to write a story in which your protagonist needs a hefty reality check. Begin by narrowing down the area that you feel most comfortable writing about. Make the stakes high enough and the desired outcome large enough that the character has to want to succeed so badly that he is willing to work at it. Put the story in motion, then have the character experience a failure and disappointment.

Include both narrative and dialogue.

Have fun with this one.