A Special Birthday

Think back in time to a birthday that was unique in some way. Perhaps it was your first party and Timmy Pearson ate so much cake that he barfed all over your Mom’s favorite throw rug.

Maybe it wasn’t your party, but your best friend’s when you were both teenagers. Someone brought a pint of vodka and dumped it in the punch. Everyone got drunk and silly. There was lots of close dancing, kissing and serious making-out.

Maybe your party was ruined when your Uncle Joe showed up, being the bully and braggart that he was, and stole your thunder by making it all about him.

Think of the stories you can tell!

Your task is to write about a special day that either you remember happening to you, or one that you want your character to experience. Details are important, so include foods eaten, drinks consumed, behaviors exhibited.

Dialogue is important so that personalities and interactions rise forth.

Your reader wants to be in the moment, to feel as if they are in the room, seeing and experiencing everything as your character does.

Reread, looking for details that make the story jump.

Have fun with this one.

Focus on Space

            Look about the room in which you are currently in. What’s on the walls? What kind of furniture? Does everything match or is it a hobnob collection? Is it comfortable or functional?

Think about another space, such as workplace or favorite coffee shop. Picture them in your mind. How would you describe them?

Imagine that you are in a space that holds memories, either good or bad. How did the room smell? What triggered your emotional reactions? Did the quality of light affect your feelings?

Your task is to write a story, either real or imagined, that takes place in the space which most resonates with you. People it with folks that interact with you or your protagonist.

Include not just descriptions, although they are important to setting the tone, but also dialogue that evokes the emotions that you want to resonate.

Reread looking for places where you can add additional details and conversation.

Have fun with this one.

War Relationships

Fighting in a war is not the normal place where friendships are formed, but by virtue of the close quarters in which soldiers live, work, and “play” bonds form.

Sometimes these friendships last beyond the end of service. Seeing each other reminds them of all that they shared, allowing the memories to heal, to bring closure, to recall those that were lost.

War stories are a popular genre right now. Walk into any bookstore and you will quickly find a variety of tales from the different wars: WW I, WW II and Vietnam. Many of the stories are from a soldier’s point of view. Just as many are about those who stayed behind: women, children, parents and friends.

Your task is to write a war story. Even if you never served, you probably know someone who did. First do some research about the war that interests you the most. Read survivor’s accounts. Read factual accounts. Take notes.

When you feel comfortable writing, tell the story that you feel most comfortable relating. Remember to include sensory details as well as to let the intense emotions that war evinces come forth.

This won’t be an enjoyable task, depending upon your opinion about war.

Have fun with this one.

Perfect Strangers

Recall a time when you interacted with a stranger. Was it while standing in line at the grocery store? Going through security at the airport? Asking advice at a bookstore?

Was it a positive experience?  If so, why? What occurred that allowed you to feel good about the interaction?

Did you initiate the conversation? If so, what words did you use?

Your task is to place a character in a comparable situation. She is out and about. She runs into someone she doesn’t know, most likely will never see again, yet strikes up a conversation.

Be sure to describe the scene in sufficient detail that we hear the sounds, smell the smells, taste whatever is being offered, but not so much detail up front that the story never gets started.

Give us emotions. Fear? Dismay? Pleasure? But not all at once. Allow us to travel the range of emotions as the character experiences them. Much of this will have to take place in dialogue form.

Then give us a satisfactory ending.

Have fun with this one.

Most Important Person

Hopefully each of us has been touched by someone who truly cared and to whom we gave our love. This person might have been a relative, unless you grew up in a dysfunctional family, and then that special one might have been a teacher, boss or neighbor.

Think of the gifts this person gave you. They might be physical, such as a new bike or a longed-for book, but they might also have been emotional, such as love, kindness, unconditional caring.

Your character has also been touched by a special person. Who is that individual? What has she done for your character? In what ways is the life of your character enriched?

Has that most important person passed away or is he still alive? If alive, have the roles now been reversed? Your character now gives to the special person? In what ways?

Your task is to write a scene in which their lives intersect. Remember that we need to feel the depth of the relationship, the love between them (assume that this is not physical love, but rather supportive).

Reread, looking for key words that allow us to see the feelings on display.

Have fun with this one.

A Danger to Others

We all have an Uncle Joe whose eyesight is failing, uses a walker, has trouble remembering, and yet still drives. He’s a danger to himself and others, but refuses to give up his car keys for fear of losing his independence. What do we do in this situation?

There are no easy answers. You can hide the keys when he’s in the bathroom, call the DMV and report him as a dangerous driver or call the police when he goes out to drive. Joe will hate you for the rest of his life. So might his wife, kids, grandkids, neighbors and anyone else who is on his side.

Your task is to conjure up a character who should not be driving and someone who confronts this person. To get ideas, do a little research online. Come up with at least three different scenarios and possible outcomes. Choose the one that presents the most conflict, for remember, conflict creates tension and tension makes stories interesting.

As you write, look for ways to insert conflict. Joe does not give up on the first attempt. He might become guarded and hide the keys in the freezer. In fact, he might not relinquish the keys until he’s had an accident or almost ran over a small child!

Reread, looking to see where you can add details that invite the reader to buy into the story.

Have fun with this one.

Changing the Topic

How often have you been conversing with someone about a given topic when, without preamble, they kick off another topic? It probably happens more than you’d prefer. Or maybe you’re the one who jumps around?

Just as in real life, your characters must encounter people who refuse to stay on topic. How they react to this individual says a lot about the character.

For example, is the other senile? If so, is your character patient or react rudely?

What if the person is the boss? How then does your character act?

Your task is to write a scene of dialogue in which no more than three individuals are in a discussion. Make the topic realistic for the situation.

As the conversation moves along, one of the characters changes the topic. How do the others react? Do they follow that thread or steer the conversation back to the original topic?

Reread, looking to see is information pops through about your characters. If not, rewrite.

Have fun with this one.