Favorite Books

Whenever someone asks me which book is my favorite, I have to honestly say that I love all kinds of books. I read constantly. Usually I am reading two books at the same time. And I read across genres.

What about your character? What does she like to read? What is it about her preferred genre that she enjoys?

Your task is to generate a list of at least five different things that your protagonist reads. Include a variety of materials, including papers and magazines.

Once you have established the list, narrow it down to the two that you feel could be influential in a story.

Put things in motion. Perhaps she is in the library reading her favorite periodical. How does she react? What feelings run through her head? What happens when someone walks up and interrupts her reading?

Write the story. When you finish, reread for details. Make sure that something compelling happens.

Have fun with this one.

Awards Won

I was not one of those kids who won things. I never earned a certificate for perfect attendance or for high grades. Girls seldom participated in sports back then, so I never won a ribbon for participation. I didn’t play an instrument, wasn’t artistically gifted and never entered a competition.

I do remember, quite clearly, the first time I did win something. I was ten. My family had gone to my dad’s union picnic. A BINGO game was held for kids.  I didn’t win the first few games, which was no surprise, but I played anyway. The last game was called. My blocks quickly got filled. All of a sudden I realized I had a BINGO! I raised my hand and was instantly recognized. An adult checked my game board. I truly had won! They called me to the front where I was presented with a tiny piece of candy. It didn’t matter the prize, for I had won. That’s all that I could think of.

Your character has probably had some type of similar experience. Ribbons were earned, certificates were given, and promotions handed out. It’s up to you to decide.

Your task is to create a list of awards won. Make sure that the contests match the character’s personality and interests.

Narrow down the list to the most important one, the one whose story you can tell.

Write the story, making sure to include sights, sounds, feelings of the character and others.

When you are finished, reread. Look for places where you can strengthen details.

Have fun with this one.

 

Exhaustion

When we’re tired, we are often cranky and unpleasant to be around. It’s not that we don’t get enough sleep on purpose, sometimes it just happens.

Imagine your character out-of-sorts. What does she say and do? How does she treat others? React to what others say?

Picture him at work or at a bar. What happens when someone criticizes something he just completed or bumps into him in the crowd? Does he hurl insults? Come up fighting? Or does he simmer and walk away?

Your task is to write a scene in which your exhausted protagonist mingles with others. First, think of the scene. Then people it with at least two others, possibly co-workers or maybe random strangers. Lastly put things in motion.

Be true to your character’s personality. A shy person most likely will not explode in a loud tirade, but a boisterous individual might.

When you are finished, reread and edit. Add details, dialogue, action.

Have fun with this one.

 

A Big Mistake

Imagine that your protagonist owns a pet. Think cat or dog.

The pet is not a purebred or unique in any way.

Perhaps it was once feral or a stray, but now is dearly loved.

What happens if the pet escapes and is now out on the streets?

What does your character do? What does she think?

Is she logical and methodical in her search or does she run about in a panic?

Your task is to write the story. Be aware that your character’s actions need to make sense based upon her personality and previously demonstrated behaviors.

Have fun with this one.

Accommodation Expectations

When we travel, we have certain standards that we expect wherever we stay.

For example, when camping, we like a solid picnic table, a level place to pitch our tent, and a bear box to protect food.

When we stay in a hotel we have comparable expectations.

So does your character.

Your task is to write a scene in which your character’s expectations are not met.

What does he say and do? Does he explode or accept the substandard accommodations?

Be realistic in your writing by staying true to your character’s personality.

Have fun with this one.

Cheapskate Travelers

Imagine that your character goes out to eat with friends.  He orders a number of drinks, appetizers, an entree and a desert. The food is delicious. The service excellent.

The bill comes. Each person has to contribute their fare share, with tax and tip.

What does he do? You have to decide whether or not he contributes his fair share.

What happens if he tips amply but the others don’t? Does he say something?

What happens when all but one friend pays with cash but the remaining one pulls out a charge card? Does he say something to make sure his ample tip is paid?

On the other hand, what if your character doesn’t pay for all he ordered? How do the others feel? What do they say and do?

Your task is to write the story.

Have fun with this one.

 

Interview Jitters

We’ve all suffered through at least one interview in our lives. Some have gone quite well while others have been disasters.

Imagine your character applying for a job, an internship or a college.

How nervous is she? Does she lie awake all night worrying about how it will go? Does she try on every outfit in her closet looking for the right one?

During the interview do his palms sweat and his hands tremble?

Your task is complex. First make a list of situations that require an interview. Choose the one that makes for the most interesting story.

Next list possible feelings and reactions that your character might experience. Narrow that down to three or four.

Begin writing. Tell the story from the getting ready phase through the end of the interview. Even include the results.

Reread and edit. Look to make sure that you have included enough details that the story is interesting.

Have fun with this one.

Skipping Ahead

You’re on about page twenty in a story that you imagine becoming a full-length novel. You’ve introduced the protagonist and placed her in a sticky situation.

You feel as if the beginning is solid, but a scene comes to mind that you see happening much further ahead. It’s a compelling story, with lots of tension and drama.

You’ve framed it in your notes, but you want to write it now, not wait until you’ve written another one hundred pages.

What do you do?

Write it! Include all the details that have been haunting your thoughts.

Is there a reunion between former friends who parted ways when they went off to college? What do they say or do?

Maybe there’s an accident and the other driver is a former boyfriend who broke her heart when he declared that he loved another. Is he single? Divorced? Just recently out of a serious relationship? Are there sparks between him and the protagonist?

Or perhaps your character is the victim of a crime. He’s lying bloody and beaten on the sidewalk after a group of men stole his wallet.

Your task is to write that scene including as much detail as possible. Include realist dialogue and actions. Develop the scene as fully as possible.

When you are finished, reread it to see if there is drama, tension, intriguing pacing.

Have fun with this one.

The Unexpected Adventure

It’s often fun to go places we’ve never been and do things we’ve never done, but not always.

Imagine what would happen, how you’d feel, if your plans fell apart and suddenly, without warning, you find yourself in the midst of an unexpected adventure.

What would you do? How would you feel? What things might you say? Who would you contact?

Your task is to either choose a character that you have already written or create a new character. Place the character in scene. At first everything goes smoothly, but then something happens that changes everything. Your character finds himself in a new situation, one not of his choosing.

As you write, remember to include sights, sounds, reactions. Does he go along with the change or fight against it? Does he enjoy the new experience or lament that he is not where he intended to be?

As the story proceeds, what happens? Does the character embark on this journey or fight her way back to the original plans?

You’ve got a lot to think about here.

Have fun with this one.

Shake Things Up

You’ve written your story. The protagonist is complete. She faces her fears and wins. Love conquers all. Business is good. The house is purchased and the yards tended.

What more does your story need?

How about bringing in a new character? If your character is a happy-go-lucky fellow, then make the new character a dour, oft-depressed individual.

Say your protagonist is a moody teen, then give him an optimistic classmate who just moved into the school.

Putting together diametrically opposed characters adds tension. They won’t always agree and so will sometimes argue…or ignore each other. Such conflict forces the protagonist to face her innermost fears. It creates turmoil and upsets the story details, often adding interest for the reader.

Your task is to take a piece that you’ve completed. Develop a character that is opposite to your protagonist in at least one major way. Insert that new character into the story in a time and place that surprises the reader. Finish the story, making sure that the new character maintains a place of importance.

At the end the new character can walk away…or the two characters can become lifelong friends. It’s up to what helps the tension in the story.

Have fun with this one.