Your Favorite Place

            Close your eyes and visualize the place that makes you the happiest, the most calm. The place that inspires a feeling of awe. Listen to the sounds. Breathe in and take in the smells of the flowers, the earth, food cooking. Reach out and touch the bark of trees, the silkiness of flower petals, the gravel beneath your feet.

            Use your imaginary camera and take a picture and then another one. Pick up a paint brush, dip it in some paint and create a replica of what you see in your imagination.

            Think about how you feel. Are your shoulders relaxed? Has your breathing slowed? Did a sense of calmness flow over you?

            This is your happy place.

            Your task is to create a comparable place for your character. Begin by imagining him in a variety of places and situations. Where does he feel most fragile, most overwhelmed? That’s not it, but it’s important to the story. Now think about one or two places where she’ll feel relaxed. Where the sense of awe comes to her.

            That’s the spot where a portion of the story will occur.

            Write a scene in that place. Add in other characters to people the situation. Remember to include sensory details here and there so that readers will enjoy being there as well.

            Have fun with this one.

From your Character’s Point of View

Imagine a character that you would like to write about. Before you include him in the story, take time to write a character study from his point of view.

You must use first person. You can begin anywhere and you do not have to proceed sequentially. Consider it more of a stream of conscious rambling.

Somewhere in the text tell something about his appearance, but do not give a list of features. Mention one or two, just a little something to help us see him as he sees himself.

Put us inside his mind. We want to know what he thinks about things. Consider politics, employment, housing, future goals, but don’t try to cover everything. Only hit the most salient points, those that help you develop him so that including him in a story becomes easier.

Your task is to write at least a page of text. When you reread, ask yourself how much you revealed about him and whether or not there are more things that should be included as well as what should be deleted.

Have fun with this one.

An Interesting Main Character

Let’s face it, your readers have to care about the main character. They don’t necessarily have to like the character, but they have to be interested in what he does, thinks, says.

If you expect the readers to spend time with your writing, then you must give them a reason to read. A boring protagonist, someone who has no opinions, faces no challenges, is never confrontational and lives only to please others will not inspire readers to make it to the end.

Main characters are usually imperfect. They have flaws which give them compelling personalities. Those flaws create challenges that the characters must surmount in order to succeed.

Your task is two-fold. First write a brief story about a practically perfect character. Put them in a scene that poses no challenges, no obstacles to overcome. People the story with likable friends, bosses, partners.

When you finish, analyze the piece. If you were a reader, how would you react?

Your next step is to rewrite the story with a flawed character whose life has pitfalls and confrontation. The character struggles to succeed. At the end something changes about the character. Either she overcomes and experiences a cathartic change, or she is deeper into her problems.

This time when you reread, do you sense a difference in your interest level?

Have fun with this one.