Tag: feelings

Thanksgiving

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            There are times to celebrate all the good things that have come our way. Times to rejoice, to laugh, to pray, to give thanks. To remind ourselves That we might have more than others, and to be grateful for what we do have.

            Thanksgiving Day has become a huge commercial enterprise. There are gift cards, decorations, themed toys and gifts, cookies in the shape of turkeys and pilgrims. Schools have Thanksgiving celebrations where students make pilgrim costumes and share themed candies.

Commercials show happy families welcoming guests. For many, television mirrors their family life. But, for others, family gatherings are times of extreme stress and so they choose to eat alone.

            Your task is to write a story in which Thanksgiving plays a major part. Your character might be the type who celebrates alone, in which case you need to show how this is handled. For example, does she cook a turkey breast for herself? Volunteer at a local food bank? Go to a restaurant that serves a typical dinner?

Or does your character celebrate with others? That time doesn’t have to be free from stress. In fact, to make the story more interesting, a bit of high drama might be fun.

Remember to include emotional details so that readers walk in the minds and hearts of the characters.

            Have fun with this one.

Comfort Zone

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The vast majority of the time we stay within our comfort zone. At our jobs, we feel comfortable when we understand our job duties. After work, we have safe places to go where we feel respected.

When we venture away from home on a vacation, many of us return again and again to the same place because we find comfort there. Sometimes opportunities arise to go somewhere new, and we might, at first, want to go, but as the departure time approaches, we get nervous.

Stepping outside our comfort zone can cause a great deal of anxiety. We check maps over and over, wanting to make sure that we know the way. If we venture overseas, we might choose trusted tour company so as to ensure a clean and safe place to spend the night.

Your task is to take a character outside of his comfort zone. Send him to places unknown, have him try out new restaurants, or visit countries he’s never seen. Along the way have him encounter strangers, deciding in each instance how he will react.

What impact does journeying have on your character’s personality? Does he feel emboldened? Frightened to the point of desiring only isolation? Proud or timid?

Write a scene that challenges your character to step outside of the norm.

Have fun with this one.

Halloween Prank

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            Many comedy shows have kids running up to houses, ringing the bell, then when no one answers, throwing eggs at the door or tossing rolls of toiler paper over tree limbs.

            Or there’s a home invasion, where a scary somebody, like an evil clown or a deranged murdered, sneaks up on a group watching a scary movie on television.

            Some pranks are downright funny, causing no permanent harm. Eggs can be washed away, the friend who dressed up as a criminal will be forgiven, and many laughs about it will be shared for years to come.

            But what it the prank turns out not to be funny or to have lasting impact? What if it causes poor old Mrs. Hubert to have a heart attack or breaks a bunch of windows that the home owner can’t afford to repair?

            Your task is to write a story that features a potentially dangerous prank, that can cause harm to either the doers or the receivers.

            Begin by making a list of things that can logically be done. For example, climbing on the roof might not be possible to seven year olds, but teens could certainly do so.

            Create at least two characters. One might be the instigator, the other hesitant, but goes along with the prank anyway.

            Think of things that can go wrong. Narrow it down to no more than three.

            Write your story, incorporating the fear of Halloween, the mystery of the night, the costumes and the adventure.

            Have fun with this one.

Phobia Time

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            You need to introduce some spice into your story. One way to do that is to let your protagonist’s phobias pop out unexpectedly.

            For example, he’s in the shower when a large, brown spider drops on his shoulder. If he’s okay with spiders, he might try to catch it so as to release it outside. However, if he’s terrified, he’ll jump as he brushes it away. He might scream, dance about the shower, even call for help if his partner isn’t afraid.

            What would make this even more interesting is if this display happened when during a gathering. Imagine what her colleagues would say when a normally calm woman bursts into hysterics when a tiny mouse scampers across the floor!

            Your task is to write a story in which your character has kept his phobia hidden from others. An occurrence happens in which his fears are revealed in such a way as to change perceptions of the character.

            Set the scene, populating it with business coworkers, old classmates or fishing friends. Let there be fun happening, or a solemn meeting, or a class reunion. Introduce the bee, spider, mouse or snake.

            Have fun with this one.

An Old Friend

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            You’ve got your protagonist planned out. You know your setting and the premise of your story. Perhaps you’ve written a good portion, with tension and a perfect adversary.

            Then you bogged down, not knowing where to go next.

            One way is to insert an old acquaintance from the character’s past.

            This person needs to be a bit quirky or argumentative or a bully. She could have stolen the protagonist’s love interest or bested her in a competition.

            Perhaps he’s the ex-boyfriend or husband, moving back home.

            Write the story of what happens as soon as your character is aware of this person’s reappearance.

            Use narrative and dialogue. Include emotional reactions: think sweaty palms, heart palpitations, trouble breathing.

            Ramp up the tension. Perhaps there’s a nasty interaction, or your character overhears him saying nasty things about her.

            Have fun with this one.

The Phone Call

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            We’ve all been surprised when someone that we haven’t seen in a while calls. At first there’s a bit of shock. You shake your head in wonder, asking yourself if this is an imposter or the real person?

            Once the identity has been verified, you might be annoyed, thrilled or scared, depending on how the relationship ended.

            Stories of former friends finding each other and discovering they’re still in love, warm the heart.

            Your task is to write a story in which someone from the past calls your character. Establish, in your mind, what the relationship was like. For example, if they weren’t best friends, the reaction might be quite different than if they were. Or if there’d been tension between them, then does that tension still exist?

            Have fun with this one.

Fictionalized Story

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            Taking something familiar and turning it into a fiction story can make for some interesting writing. Imagine placing Aunt Myrna in a bit of historical fiction or in a cozy mystery. She might be uptight or laidback. She might have a brilliant co-partner or a funny sidekick.

            If Myrna lived in the country, have her visit the city where she’ll discover something disgusting or heinous. If she’d never stepped foot outside of her place of birth, sending her on a journey might make for a fun story.

            Make your character believable with wants and goals. There must be setbacks along the way, perhaps unusual sightings, or a runaway bull.

            Give her a someone with whom to share the adventure.

            Write some scary parts, some funny parts, some description, some dialogue.

            Have fun with this one.

Scene Prompt

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            Begin your story like this:

            Paula stepped closer to the tiny store, driven by a once-familiar smell.

            You can change the name, the tense and the setting, but the heart of the story has to be the smell.

            First, decide the cause of the odor. Pizza? Baking bread? Flowers? Rotting food? A dirty body? The smell can be pleasant or not, but must remain the focus.

            To make things interesting, have more than one character so that the discovery of the smell can be discussed, as well as whether or not to pursue its source. Tension through dialogue would add interest.

            The characters will share their reactions to the smell. What for one might be tantalizing, for the other might just be nothing special.

            Have fun with this one.

Childhood Meal

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            Kids are often picky eaters. They might love mac and cheese one day, then claim that they never liked it the next. They dislike certain textures that only they can see, before putting the food in their mouths. Smells, appearance and even parental pressure affect how children react to food.

            Because of this, meal time can often turn into an all-out war. Parents insist the child try one bite of everything, the kid refusing to eat anything.

            But, there are happy memories of meals shared as well. Try to recall your favorite childhood foods. Were they connected to a grandparent, perhaps the way Grandpa trimmed the crusts off your bread? Were they family affairs where a variety of foods were put out on a long table?

            Your task is to write a story about eating a meal, making sure that the protagonist is a child. To make things interesting, include in the meal foods the child likes, but also those which she detests. Use sensory details to make the story pop.

            Was anything mushy? Burned? Undercooked? Who was sitting at the table and how did that affect the experience of the meal?

            Were there rules in place, such as eating everything off the plate before having desert? Carrying dishes into the kitchen when finished? Remaining at the table until being excused?

            Have fun with this one.

Lean into the Possibilities

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            Did anyone ever doubt that you could become whatever you’d dreamt of accomplishing? How did that make you feel? Did it stop you, delay your achievement, or did it inspire you to prove them wrong?

            One thing we seldom hear is that we all need to lean into our possibilities, not shy away from them. Let’s say you want to be a doctor, but can’t keep up with the grueling pace of coursework. You still want to help people, so you change paths and become a nurse.

            You’ve leaned into the possibilities, by finding a course that works for you.

            Your task is to write a story in which your protagonist has a desire to be or do something huge, something that will define who he/she is.  Add negative or discouraging voices. Give your protagonist hurdles that have to be overcome. Setbacks add tension. But most of all, we want to see her choosing possibilities that work for her.

            Have fun with this one.