How Do You Want to Be Remembered?

            When you have passed, what will you want people to remember about you? What stories should they tell or keep hidden? Most importantly, is there anything you can do now to control the narrative?

            We tend to recall the negatives in our lives. Imagine your friends and family gathered together sharing stories of their interactions with you. Are they going to mention times when you yelled or argued? Caused friction in some way? Or will there be laughter as they reminisce about the birthday cake you made that slithered apart, the dress you made that split apart at the seams, the times you offered helping hands to those less fortunate?

            Your task is to write a story or essay that controls the narrative. Imagine that you have an opportunity to set the record straight, to clear the air about misconceptions that might be attributed to you.

            If it’s uncomfortable to write about yourself, then choose a character who is in a similar situation. He knows that his time is ending and he wants to write down those things that he hopes people will recall after he is gone.

            This is important work.

            Have fun with this one.

The Big Decision

            You’re most of the way through the novel. The protagonist has struggled over many obstacles and seems to be on the road to success. Suddenly a chasm-sized barrier is in the way. She has two possible choices to make. She can turn around and retrace her steps or find a way across. A decision has to be made that could potentially alter her life.

            What she chooses is determined by the characteristics readers have seen in the individual. A timid person or one with low self-esteem will turn around while the character with tons of self-confidence will plow ahead.

            Your task is to write a scene in which your protagonist is confronted with a choice that would make a huge difference in his life.

            Begin by making a list of possible obstacles. They can be realistic or fantastical, depending upon the type of story that you are writing. Once you have chosen the primary obstacle, add possible solutions. Once again, solutions depend upon the genre you have chosen.

            Your character is proceeding along, the obstacle arises. A choice is made. Make sure that readers will believe the outcomes and that the emotions that your character experiences come through.

            Have fun with this one.

Complete and Utter Chaos

            There are times when anything that could possibly go wrong, does. It feels like the game when you stack dominoes with the intent of controlling their fall. But then your hand wiggles or someone’s knee jiggles the table or an earthquake hits and down they go, not when you intended, but do to some type of chaotic movement.

            Perhaps your car is due to a check-up. You make an appointment with the mechanic, but before you can get there, something horrible happens. Maybe your car breaks down in the middle of a busy major thoroughfare. Perhaps you get hit by a driver who wasn’t paying attention. Or it could be roadwork that causes a huge delay making you miss your time.

            Things happen, often in a bunch, that derail our activities. Some we can laugh off, but others cause a huge inconvenience.

            Your task is to write a story in which a series of unexpected things happen. How your character reacts will tell readers quite a bit about her personality. Make the events large or small, or a combination of both. Most importantly, allow readers to be there with the character.

            Include sensory details and emotional reactions.

            Have fun with this one.

Dear Diary

            Journal writing has been popular for many, many years. Young girls were often given a diary in order to record their thoughts. They were encouraged to write every day, even if they had little of interest to report.

            Diaries were often padlocked with a tiny key. The girl would hide both the diary and the key in order to prevent parents and siblings from reading their thoughts.

            Diaries became important as a tool for historical research. By reading such records, historians are able to deduce what life was like during times of peace and war, during turbulent and peaceful times.

            Your task is to imagine the diary entries that your protagonist would write. These do not have to be complete stories, but rather figments of time capturing the emotions that the individual experienced. Later on these thoughts might inspire a story, but for now the task is to simply write what the person most likely worried about, dreamt of, feared and yearned for.

            Have fun with this one.

Wasting Time

            Our days are often filled with running here, there and everywhere. We seldom have a minute to spare, time for ourselves because we are so busy doing things for others. However, whenever we do manage to eek out a bit of time, instead of doing chores, we might goof around. The things we find to do say a lot about us.

            For example, let’s say a person chooses to play games instead of weeding the garden. The games provide relaxation while weeding is back-breaking work. Perhaps we head off to the kitchen and create something fabulous to eat, something that’s just for fun. Maybe we take off on a long walk, listening to an audible book or podcast.

            The choices we make when we’ve got an opportunity to waste time help define who we are.

            Your characters need things to do that are outside of work.

            Your task is to first create a list of activities that make sense depending upon your character’s interests. Narrow it down to the one that you believe you can include in a story.

            Consider setting elements of time and space. Include sensory details so readers will smell the flowers, taste the gourmet cupcakes and feel the bark on the trees. Readers want to know how sweaty and stinky the character gets and whether or not the activity is exhausting.

            Add in one other character with whom the protagonist can share either the fruits of the activity or be there as a companion.

            Have fun with this one.

Your Favorite Place

            Close your eyes and visualize the place that makes you the happiest, the most calm. The place that inspires a feeling of awe. Listen to the sounds. Breathe in and take in the smells of the flowers, the earth, food cooking. Reach out and touch the bark of trees, the silkiness of flower petals, the gravel beneath your feet.

            Use your imaginary camera and take a picture and then another one. Pick up a paint brush, dip it in some paint and create a replica of what you see in your imagination.

            Think about how you feel. Are your shoulders relaxed? Has your breathing slowed? Did a sense of calmness flow over you?

            This is your happy place.

            Your task is to create a comparable place for your character. Begin by imagining him in a variety of places and situations. Where does he feel most fragile, most overwhelmed? That’s not it, but it’s important to the story. Now think about one or two places where she’ll feel relaxed. Where the sense of awe comes to her.

            That’s the spot where a portion of the story will occur.

            Write a scene in that place. Add in other characters to people the situation. Remember to include sensory details here and there so that readers will enjoy being there as well.

            Have fun with this one.

Through a Child’s Eye’s

            Do you remember the first time you went to a zoo? Drove through a big city? Rode a boat or a train? Going to a movie with a parent or a friend?

            Children experience the world with wide open eyes. The first time they do something it’s as if a miracle occurred. And it’s not just their eyes that show excitement, but their entire bodies.

            Because everything is new, raw, unexpected, children have no basis with which to compare whatever they are seeing. Their brains categorize experiences based upon that which they already know.

            For example, a child has already learned what a ball is, but imagine their awe when looking at a gigantic ball of rubber bands! It defies anything they know and so they examine it carefully, looking to see if it fits into those characteristics that, in their minds, define what makes something a ball.

            Your task is to write a story from a child’s point of view as she confronts a new experience. You must include the feelings of confusion, internal deliberation and awe.

            Have fun with this one.

Letters Written Home

            Imagine that you’ve been away from home for some time. You miss your childhood home, your family and your friends. You regularly write home, sharing whatever is happening in your life. Most of the time you recount rather boring details, but this time you’ve got something juicy to share.

            Is it something comedic that happened to you or that you witnessed? Did a coworker get caught under the influence or selling drugs? Has someone made a pass at you that ended badly?

Did you accidentally forget to pay for a scarf that you’d draped over your arm?

            There are so many possibilities!

            Your task is to write the letter, telling the strange happenings that either you did or that you witnessed. Try to insert comedy so that readers will get a good chuckle. Things should be bizarre, yet believable. For example, perhaps a tightrope walker crossed from one high-rise to another in a gusty wind. Imagine how the person teeters to stay on the wire. Maybe a gust tears away a piece of clothing which falls in a dramatic way.

            Let your imagination run wild.

            Have fun with this one.

Dream Encounter

The term “dream” represents a variety of things.

A dream can be something that occurs as you sleep. Sometimes the dream is based on factual encounters which then spin off into uncharted territory. Many times dreams are complete pieces of fiction that include monsters, dark spaces, falling from great heights and discussions that never took place.

Dreams can also be wishes. When young we imagine ourselves as ballerinas, firefighters or teachers because those are the heroes in our lives. As teenagers we dream about going to college or trade school, of becoming engineers, mechanics or computer science technicians. Later on, we dream of marriage and family, trips and excursions and the homes we’d like to own.

Owning items can also be considered a dream. Picture the perfect gown for a dance, the sports car you always wanted to drive, or the collection of baseball cards that you once saw at a flea market.

Your character has dreams. Imagine a scene in which that dream plays a significant role. What does he want? What emotions does he experience whenever he thinks about it? How hard will it be for him to achieve that dream? What happens when he doesn’t?

Write using a combination of narrative and dialogue. Make sure the yearning comes through.

Have fun with this one.

Losing Things

            Remember a time when you thought you had lost something. How much energy you spent looking depended upon how important the item was as well as how soon you needed it.

If you were packing for a trip and couldn’t find the documents for your presentation, you probably put a considerable amount of time into locating them. If, however, you had misplaced your comb, you most likely terminated the search and bought a new one.

What if it was an anniversary card for your best friend? A Father’s Day card for your loved one? Or the key to your house that you intend to give to your house sitter?  Perhaps it’s the blouse that matches the slacks you’re wearing for a special night out?

Or, if you’re extremely unlucky, you feel as if you’ve lost a piece of your mind.

Your character probably has lost a thing or two. How does that play out in a story?  If the item is a priceless heirloom, she might try to track down the last person who touched it.

If the object turned up missing after a burglary, your character might feel both bereft and violated.

If it’s his mind, his memory, he might go through periods of bereavement followed by periods of blankness.

Your task is to write a scene in which something is missing. Your character reacts to the loss in the way only she would. Narrative and dialogue are important. Description of the object, the emotions, and the search are critical.

Have fun with this one.