Shopping Day

            Imagine that you have a difficult teenager who needs new clothes. You arrange a day and time to take her to the mall. Even that takes some effort as she whines about having to go with you. The car ride is oppressive and silent. The walk through the mall is laced with opportunities to incur her wrath. She snubs her nose at stores you can afford and will only enter those you cannot.

            The struggle over clothes that you deem appropriate and affordable is embarrassing. Her eye-rolling and thin-lipped glares annoy you to the point that you almost give in and let her have whatever she wants just to get it over with.

            Were you ever that teenager? Can you recall a time when you made life difficult for your family? If not, are you a parent of a child who frustrated you? Who embarrassed you in public?

            Your task is to write a story in which it’s time to go shopping. Your character can be the teen or the parent. Tension is important to tell the tale. Use a combination of narrative and dialogue: narrative to set the scene, dialogue to show family dynamics.

            How will the story be resolved? Will there be a meeting of minds or will conflict continue throughout? Will the teen end up with clothes or will the parent march them out, empty-handed?

            Have fun with this one.

A New Baby

Anyone who’s been around a newborn understands how such a tiny, helpless being can upset the functioning of a home. Pitiful cries can’t be ignored and so guardians come to the rescue day and night. Stinky diapers have to be changed and washed. Everyone’s clothing gets soiled with vomit. It’s a seemingly endless litany of squalls and needs.

If the newborn is a cat or dog, there are still issues. They suffer separation anxiety when removed from mom. The cries are plaintive, but often unheard when the owners are off at work. Potty training can be challenging when the animal doesn’t “get” it as quickly as one might hope. There are walks to take, leash-training, special foods to prepare.

The impact of newborns doesn’t occur in many genres of stories. Romance and Women’s Literature are where the problems are most commonly found. But why can’t there be babies in Science Fiction or Horror?

Perhaps an astronaut becomes pregnant while on the International Space Station or the serial killer is nursing a toddler. Imagine how this would change the story.

Your task is to write a scene in which your protagonist has a newborn of some kind. Choose a place to begin that has the most tension for that’s what will hook your readers. Description is essential, both internal and external. Readers will want to know what’s going through minds and how the infant is impacting lives.

Have fun with this one.

The Antisocial Teen

A surly teenager hurls insults at her mother and stomps upstairs, slamming her door behind her. This time it’s because Mom won’t let her go to an unsupervised party at an older boy’s house. Last week it was because Mom refused to pay for body piercings, and a few days before that it was an argument over the skimpy outfit the daughter intended to wear to school.

The son of a single man steals his dad’s precious 1964 hot rod and wraps it around a tree. The boy blames a deer, raccoon and a drunken friend, none of which amuse Dad. The teen is failing most of his classes due to absences and disciplinary problems. On top of that the kid only wears black: t-shirts, hoodies, jeans, shoes, socks and has three earrings on his right lobe.

Both stories speak about not just familial issues, but social ones as well. The kids seem to have made poor choices in friends and the parents, while doing their best, are struggling.

Your task is to write a story about an antisocial teenager. You might want to do a little research into issues facing teens in whatever time period you choose. Also consider exploring parenting tips and what types of counseling is available.

Obviously there will be a lot of drama, a lot of tension, and tons of conflict possibilities. Don’t put too much in one scene as then it’s over the top and too hard for readers to process. Consider spacing events out as the story progresses. Remember that dialogue and actions are important. This will not be a happy story, so make the best of it that you can.

Have fun with this one.

Grandma’s Been Cooking

Imagine a scene in which company arrives for a family meal. Grandma insisted that she’d fix all the food, thank you very much. The problem is that she’s a notoriously horrible cook. She’s mastered an edible apple pie, a tolerable beef stroganoff, and a passable version of green bean casserole.

Perhaps Grandma’s a sous chef at a three-star restaurant. Her entrees are amazing, but are made from ingredients so obscure that the grandkids won’t touch therm. Because everything requires meticulous planning, she spends days preparing. Meanwhile she neglects cleaning the house, showering, setting the table. There are no drinks for kids or adults, but plenty of escargot.

What type of cook is your character’s grandmother? What does through his mind whenever Grandma invites him for dinner? Does he bring funeral potatoes over her protests? Does he pick up a lemon meringue pie from the bakery on his way even though Grandma’s feelings will be hurt?

Your task is to write the story. Begin with the invitation. Does it arrive by snail mail, email or phone? What emotions pass through your character’s mind when he responds? What does he do to prepare? Draw out the scene from beginning to end, showing us the party, the dialogue, the emotions of all invited.

This could be a humorous story or a heartbreaking one depending upon how you set the stage.

Have fun with this one.

Family Dynamics

Imagine a family gathering in which a variety of aunts, uncles, cousins and elders mix and mingle throughout the house and backyard. Most of the time pleasantries are exchanged and rules of engagement are followed.

But then someone has a little too much to drink or Johnny pushes Steven off the swing or Aunt Carol’s casserole gets knocked off the counter or someone overhears juicy gossip about themselves. All hell breaks loose, right?

That’s the story that you want to tell. Not the goody-goody everyone’s pretending to like everyone. Readers want to tension, the fights, the nasty words tossed about. We want to see what happens. Who’s involved. The words/actions. Who tries to intervene. Who laughs. Who gets hurt.

Your task is to write a fascinating story about family times that go awry. Remember to include details. The skirt tucked into Sally’s panties. The zipper of George’s slacks that gets stuck. The smell of rancid lettuce rotting in the afternoon sun.

We want good things to happen, sure. If not, the story would be over the top. Give us pleasant happenings, but then an incident that triggers disaster.

Have fun with this one.

A Special Birthday

Think back in time to a birthday that was unique in some way. Perhaps it was your first party and Timmy Pearson ate so much cake that he barfed all over your Mom’s favorite throw rug.

Maybe it wasn’t your party, but your best friend’s when you were both teenagers. Someone brought a pint of vodka and dumped it in the punch. Everyone got drunk and silly. There was lots of close dancing, kissing and serious making-out.

Maybe your party was ruined when your Uncle Joe showed up, being the bully and braggart that he was, and stole your thunder by making it all about him.

Think of the stories you can tell!

Your task is to write about a special day that either you remember happening to you, or one that you want your character to experience. Details are important, so include foods eaten, drinks consumed, behaviors exhibited.

Dialogue is important so that personalities and interactions rise forth.

Your reader wants to be in the moment, to feel as if they are in the room, seeing and experiencing everything as your character does.

Reread, looking for details that make the story jump.

Have fun with this one.

Significant Objects in Your Life

When we were growing up someone gave my mom a cookie jar that was in the shape of a monk. We called him Friar Tuck, as in Robin Hood. My mom would store cookies in there, but because it was not airtight, the cookies quickly became stale.

When we moved from Ohio to California in 1964, the jar came with us, one of the few items that made the trip. The jar sat proudly on my parent’s countertop no matter where they lived. When my dad passed away a few years ago, Friar Tuck was still there.

The jar represented all the moves, all the changes in my family’s life. Marriages, grandchildren, moves. Eventually the deaths of both of my parents.

Your task is to think of something that represents your life. It could be an object, a traditional food item, or a journey that the family made together over a period of years.

Perhaps the objects no longer exist, the food no longer prepared and the trip no longer taken, but the memories linger. The memories don’t have to be positive. It could be that every time you think of your sister’s special spaghetti it dredges up images of arguments, hurtful words tossed about like candy.

Write the story behind that object. Allow it to reveal events in your past that add up to a longstanding story about your relationship.

Have fun with this one.

Addictions

Addictions interfere with our lives. Drugs and alcohol impair our ability to function normally, to concentrate, to process and hold on to information.

Going to work under the influence, if caught, could lead to termination. Driving can cause death to innocents.

Imagine the impact on relationships, unless the partner also abuses.

These are the things that we must consider when crafting characters.

Is your character an addict or a one-time user? Does your character hang out with users or avoid users? Does your character occasionally use drugs or alcohol or take part on a regular basis?

Your task is to create a character and then decide how much of an addict, and addicted to what, that individual is. Write a scene in which the reader sees the character either avoiding substances or taking part.

If you are not familiar with how someone under the influence of a particular drug might act, do some research. You want your character’s actions to be as realistic as possible.

Have fun with this one.

Traveling Incognito

We are many different people.

At any given time we might be walking around as an employee at a job that we hate/love.

The next moment we might get a troubling phone call about our child, and then we put on our parenting hat.

Or maybe it could be a message from a spouse, telling us that he/she just got promoted/was in a car accident/got good news from the doctor.

We could be an exercise nut on weekends or avoid exercise at all costs.

We might be a meat lover or a vegetarian or maybe a little of both.

We might love to play board/card games or hate any type of game.

We could be a reader of books/newspapers/magazines or only watch television.

We might be addicted to our devices, spending hours reading postings, or we might not own a single portable device, including a cell phone.

Because we change from day to day, hour to hour, we must consider that our characters also change. If she doesn’t, then she won’t be interesting to follow. A flat character does not invite tension, and every good story needs tension to pull the reader along.

Your task is to either create a new character or pull up one that you think might benefit from a little expansion.

Make a list of all the different disguises this character wears. Narrow the list down to two or three that you could comfortably fit into a scene.

Write that scene, keeping in mind that with each step a character makes, the hat changes.

Have fun with this one.

One Day to Live Again

If given an opportunity, which day in your life would you choose to relive?

Is there a time that you said or did something that you regret? If so, what would you do differently? How would this change the outcome?

We all do things that later cause us grief. It might have been a snide comment in response to being treated poorly by a friend or family member. It might have been an act as simple as not dividing the cake into equal portions and giving someone you were angry with the smallest piece. Granted, this is not a huge event, but it speaks to an underlying tension.

Your task is to write from the heart. Recall a situation that, if given a chance, you would do differently. Begin with the scene. Put us in the moment, whether it is a situation at work or an encounter in a coffee shop.

Choose your character. It can be first person or third. If third, keep the character’s actions as close to what really happened as possible.

Put things in motion. Try to recall the things that were said, the emotions, and the reactions.

Think about how you felt after it was over. For how long were you in remorse? Write about that feeling, wishing that it had never happened.

This will not be a fun activity, but one from which you can learn. Your characters say and do things that they should regret.

Good luck with this one!