Shopping Day

            Imagine that you have a difficult teenager who needs new clothes. You arrange a day and time to take her to the mall. Even that takes some effort as she whines about having to go with you. The car ride is oppressive and silent. The walk through the mall is laced with opportunities to incur her wrath. She snubs her nose at stores you can afford and will only enter those you cannot.

            The struggle over clothes that you deem appropriate and affordable is embarrassing. Her eye-rolling and thin-lipped glares annoy you to the point that you almost give in and let her have whatever she wants just to get it over with.

            Were you ever that teenager? Can you recall a time when you made life difficult for your family? If not, are you a parent of a child who frustrated you? Who embarrassed you in public?

            Your task is to write a story in which it’s time to go shopping. Your character can be the teen or the parent. Tension is important to tell the tale. Use a combination of narrative and dialogue: narrative to set the scene, dialogue to show family dynamics.

            How will the story be resolved? Will there be a meeting of minds or will conflict continue throughout? Will the teen end up with clothes or will the parent march them out, empty-handed?

            Have fun with this one.

Contentious Night Out

            Think back to a gathering around a table. It might have been at your grandparent’s house or at a restaurant with acquaintances from work.  The possibility existed for conflict because of Uncle Joe’s drinking or Sally’s argumentative nature. For a time things went well. No angry words. No sources of conflict. The kids behaved themselves and the adults weren’t saucy.

            Then someone mentioned an old fling or a bigger kid shoved a smaller one to the ground. Heated words were exchanged. Feelings were hurt. Relationships were strained to the breaking point. If it was a work party, perhaps someone got fired. People stormed off in a huff.

            Your task is to write that story. The important thing is to make sure that at least one argument takes place and that retaliation causes friction that perhaps cannot be mended.

            Dialogue is critical to allow readers to be at the scene of the action. Details play an important role, especially if attendees arrive wearing the wrong attire or the expected food is not served or the weather is extreme.

            Have fun with this one.

The Antisocial Teen

A surly teenager hurls insults at her mother and stomps upstairs, slamming her door behind her. This time it’s because Mom won’t let her go to an unsupervised party at an older boy’s house. Last week it was because Mom refused to pay for body piercings, and a few days before that it was an argument over the skimpy outfit the daughter intended to wear to school.

The son of a single man steals his dad’s precious 1964 hot rod and wraps it around a tree. The boy blames a deer, raccoon and a drunken friend, none of which amuse Dad. The teen is failing most of his classes due to absences and disciplinary problems. On top of that the kid only wears black: t-shirts, hoodies, jeans, shoes, socks and has three earrings on his right lobe.

Both stories speak about not just familial issues, but social ones as well. The kids seem to have made poor choices in friends and the parents, while doing their best, are struggling.

Your task is to write a story about an antisocial teenager. You might want to do a little research into issues facing teens in whatever time period you choose. Also consider exploring parenting tips and what types of counseling is available.

Obviously there will be a lot of drama, a lot of tension, and tons of conflict possibilities. Don’t put too much in one scene as then it’s over the top and too hard for readers to process. Consider spacing events out as the story progresses. Remember that dialogue and actions are important. This will not be a happy story, so make the best of it that you can.

Have fun with this one.

Children in the Home

Some people don’t want to have children, but others do. Some only want one child, while others want a whole passel.

Children add complexity to a relationship. They have needs that have to be met, they have interests that need to be enriched, they like and dislike many things. They can be whiny, difficult beings. They can also be charming and pleasant to be with.

Your task is to write a scene in which the protagonist has at least one child. Remember that a good story has tension, so make something happen that causes conflict within the family unit.

Dialogue is important in this task. It would be difficult to show conflict between parent and child without conversation. Also remember that the child’s voice and choice of words need to be appropriate for the age. No adult voice for the child.

Reread. Where necessary, add details. Make changes whenever the child doesn’t speak or behave like a child.

Have fun with this one.

Too Much Tension?

Is there such a thing? Can a story have too much tension?

One way to check is to read a story or see a movie that is a thriller. Try to choose something where the action starts at the beginning and never lets up. A good example is the movie Ben is Back starring Julia Roberts.  The tension runs from beginning to end, with no let up. There is no scene in which the characters are not frightened or concerned or worried or frantic.

As a viewer, I was in overload after twenty minutes. I wanted some sort of release. There is one scene in which it was possible to have that release, but the camera focused on Ben and what he was feeling.

Your task is to write a scene in which tension is constant. Choose a setting that is appropriate for that level of tension. It could be a bank robbery, a kidnapping, an attempt at escape, running from evil (or from the law). Keep the focus on the emotions of your main characters.

When you are finished, reread or ask someone else to read. How do you feel as you read? Is there too much tension or the right amount considering the setting?

Next rewrite the scene with moments in which there are lighter actions. Then reread.

Which version works best?

Have fun with this one.