Children in the Home

Some people don’t want to have children, but others do. Some only want one child, while others want a whole passel.

Children add complexity to a relationship. They have needs that have to be met, they have interests that need to be enriched, they like and dislike many things. They can be whiny, difficult beings. They can also be charming and pleasant to be with.

Your task is to write a scene in which the protagonist has at least one child. Remember that a good story has tension, so make something happen that causes conflict within the family unit.

Dialogue is important in this task. It would be difficult to show conflict between parent and child without conversation. Also remember that the child’s voice and choice of words need to be appropriate for the age. No adult voice for the child.

Reread. Where necessary, add details. Make changes whenever the child doesn’t speak or behave like a child.

Have fun with this one.

Too Much Tension?

Is there such a thing? Can a story have too much tension?

One way to check is to read a story or see a movie that is a thriller. Try to choose something where the action starts at the beginning and never lets up. A good example is the movie Ben is Back starring Julia Roberts.  The tension runs from beginning to end, with no let up. There is no scene in which the characters are not frightened or concerned or worried or frantic.

As a viewer, I was in overload after twenty minutes. I wanted some sort of release. There is one scene in which it was possible to have that release, but the camera focused on Ben and what he was feeling.

Your task is to write a scene in which tension is constant. Choose a setting that is appropriate for that level of tension. It could be a bank robbery, a kidnapping, an attempt at escape, running from evil (or from the law). Keep the focus on the emotions of your main characters.

When you are finished, reread or ask someone else to read. How do you feel as you read? Is there too much tension or the right amount considering the setting?

Next rewrite the scene with moments in which there are lighter actions. Then reread.

Which version works best?

Have fun with this one.