New Person

            You’ve got an established story and you’re well into the plot. Perhaps it’s time to add something to jazz it up. Why not bring in an entirely new character?

            This character must add a twist to the story, something entirely unexpected. Make this individual’s flaw sufficient enough to alter the flow. Maybe he’s an antique collector who just happened to run across a hidden message at the back of a drawer. The note is yellowed and a bit crumpled, but it reveals….

            What if she belongs to a coven and believes that she can influence future events? How could she provide and interesting twist?

            The person might have magic or be a descendant of a powerful faerie line. If there was no magic so far in your story, think how this would up the stakes.

            Begin by making a list of possible individuals and what they would bring.

            Have fun with this one.

Physical Fitness

           Some of us are specimens of incredible fitness while others are morbidly obese. Most of us fall somewhere in between. How we feel about being fit says a lot about our character. Is exercising an obsession or a supplement to good health? Does limiting the size of meals mean you are a picky eater or trying to keep off the pounds? On the same note, gorging to excess is also an influential factor in overall fitness.

            Your character’s attitude toward physical fitness might not play a key part in the story, but it does tell a reader something about who he is. Imagine him walking through a door into a crowded lob filled with strangers. What do the people see and think when they see him? How do they react? How does he present himself in terms of clothing, ability to walk and overall demeanor?

            First appearances often affect future relationships. You need to take this into account in the story. When a dazzling blond model struts into the scene, she receives a different reaction than when a morbidly obese man waddles into the room.

            Fill your scene with dialogue, perhaps between casual observers. Narrative is required.

            Have fun with this one.

The Home in Story

While it might not play out in the story, our characters live somewhere.  It might be under a freeway overpass, an upscale condominium complex, or in a bedroom of Grandma’s house.  That residence affects how the character thinks, feels and reacts.

Imagine living outside on a cold, stormy day. How would you feel? Most likely you might be a bit grouchy. When someone passes you by, you might bark out a bit of foul language, angry because they didn’t recognize you as human.

Now place yourself in the condo. Do you feel entitled? Are you a bit haughty? Do you look down on those who you feel are beneath you and so treat them with disrespect?

Home influences our outlook on life.

Your task is to first of all, decide where your character lives. Draw it out, if you can or find a photo online that looks like the home. Consider what types of objects are inside the home: family heirlooms or a mishmash found at thrift stores or donated from family.

Now write a story that reflects how home influences your character’s behavior.

Have fun with this one.

The Home Front

Your character has to live somewhere, and that place needs to be reflected in the things that your character does.

For example, if the protagonist lives in a homeless camp, then life centers on food, shelter and feeling safe, especially at night. Cleanliness is an issue as well as finding resources to help with clothes, laundry and food.

Let’s say the protagonist is a princess who lives in a castle. That’s a completely different sort of issue. How the princess treats and interacts with employees tells us whether or not she is arrogant and sees them as a subservient class. Since she doesn’t have to worry about basics, what she does do becomes a part of who she is.

If your character is a spy, then she is constantly on the move. She might not have an apartment somewhere, instead living in one hotel after another. What kinds of hotels? Cheap or deluxe? The type controls amenities and safety.

Your job is to decide where your character lives and then write a scene in that environment.  Bring in secondary characters that would be in that site. Have your character interact with them, keeping in mind what you want us to know about how he treats others.

Make the scene substantial enough that the reader gets a feel for your character’s personality. Include dialogue, body posture and looks.

Reread. Does your character’s personality come through? If not, then what changes should you make?

Have fun with this one.