Author: Terry Connelly

Terry Connelly is a retired high school English teacher. She earned her BA and Single Subject Teaching credential from California State University of the East Bay, in Hayward, California. Her short story "The Visitor" was published in the Noyo River Review after winning first place at the Mendocino Coast Writers Conference in 2019. Another short story, "Swept Sway" is in the CWC Literary Review. She taught for 18 years at Newark Memorial High School in Newark, California. She was gifted to work with both College Prep students and those with learning disabilities.

Your Worst Self

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            We have good days, in-between days and terrible, horrible rotten days. On our good days, everything works well. Our boss is happy, our significant other is as well and all is wonderful in the world.

            The in-between days are partly good, partly not-so-good. The dinner comes out delicious but the toilet won’t shut off. The front door sticks but the roof doesn’t leak.

            Our worst days are filled with dismay, dislike and depression. Everything triggers our anger and we lash out at coworkers, friends and family. Things break, leak or fall apart. The phone rings with endless spam callers and every time someone knocks at the door, you find a religious troop or a peddler selling high-priced chocolates.

            Those days bring out the worst parts of ourselves. We yell, sometimes obscenities, call names, and slam things about. We say things we later regret. We fight with the people we love when we’re really angry at someone else.

            Your task is to write a story in which your protagonist is having a horrible day. Begin by setting the scene: establishing setting and situation. Make the other characters do something annoying, something that will send the protagonist on an outrage.

            Have fun with this one.

Forms of Punishment

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            Every society, every home, has its own forms of punishment.

            In some homes, naughty kids are sent to timeout while others might be beaten until blood seeps from open wounds. Some kids might be denied privileges while others are locked away in the prison of their bedroom, or in worse case scenarios, in an actual prison somewhere in the home.

            Society might punish offenders with community service or therapy, while others are beheaded or hung to die. Some are tarred and feathered while others have to clean up garbage along interstate highways or on beaches.

            In a fair situation, the punishment fits the crime, but in far too many, prison sentences are too long or too harsh depending upon the color of one’s skin or how much money the family has.

            Your task is to write a story in which punishment takes on a crucial role. You decide if it’s the family that enforces the pain or society. Does the offender continue to live at home or is she detained in a cell? Is the cell in a clean facility, or in a dank dungeon?

            The protagonist can be the victim or the enforcer. What’s important is that your readers feel the suffering, the pain, the humiliation.

            Have fun with this one.

Poisoned Marshmallows

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            Imagine a story in which your protagonist is the victim of a poisoning. And the mode in which the poison was delivered was marshmallows! 

Does she die in the first scene? If so, how do you tell her story? The reasons that someone hated her enough to want her dead would be revealed as the story spins.

Or, perhaps your protagonist is the poisoner. Why would she choose marshmallows and not, say, a bottle of wine? Does the intended victim have a passion for the simple marshmallow?

How does the poisoner make sure the intended victim is the one who consumes the poison, and not some innocent child?

Your task is to tell the story in such a way that readers will be enthralled.

Narrative is important in setting the scene. Dialogue is needed to establish the tense relationship between the victim and the poisoner.

Rely on sensory details. Readers need to see, imagine the taste, smell and touch of the marshmallows. And to watch the suffering of the victim. Is it a quick or slow death?

Have fun with this one.

Do Not Disturb

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            There are times when we want to be left alone. We’re stressed out after a hard day at work or we’re working on a project that demands our complete concentration.

            When someone intrudes, we might get angry, upset, frustrated.

            We wish for the “Do Not Disturb” sign, to post on our computer desk or in our study. That way our kids, spouse, phone callers will leave us alone.

            Your task is to write a story in which your protagonist wants nothing more than to be left alone.

            Give him a task that requires concentration. It could be yardwork, repairing an appliance or tool, writing a report or reading a book.

            Bring in characters who try to break into the solitude, then make sure that the protagonist reacts appropriately. Obviously, there should be serenity at first, the intrusion, and then the feelings of anger or frustration.

            Setting and dialogue are critical here.

            Have fun with this one.

Uninvited Guest

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            No one likes it when guests crash the party. Even if they are well-behaved, they might bring unwelcome baggage, causing conflict that will ruin the event.

            Try to recall a TV show with such a scenario. If it’s a comedy, then weird and hilarious things will happen, such as drinks being spilled or someone being pushed into the pool.

            If it’s a thriller or drama story, then there might be a murder, a theft, or threats to one and all.

            Your task is to write a story in which a guest(s) appears at an event without an invitation. Setting is important, but more so the emotions displayed by the host(s) are critical.

            The host might try to close the door, keeping that person out. Or she might let the person in, trying to avoid a scene.

            The guest should do something outrageous, like swill several bottles of beer or dump over the punch bowl. Maybe toss something on the BBQ that sets the canopy on fire.

            You want action followed by reaction.

            Have fun with this one.

Abandoned Pet

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            We’ve all seen starving dogs and cats wandering through our neighborhoods. We look, wondering if they might live in a nearby house but accidentally got away. And will soon be reunited with their loving owner.

            But what happens when that same pet is still wandering the next day? And the one after that? Maybe even a week later?

            What do you do?

            The temptation might be to keep driving by, pretending that the animal isn’t really lost. Or perhaps if you’ve taken a liking to the pet, you might try to lure it into your car or follow you home if you’re walking.

            Your task is to write a story in which you see what appears to be a lost or abandoned animal. Your character can be a softie who rescues the pet, or a grouch who chases it away from her house.

            Don’t begin with a detailed description of the pet, but rather work in the details slowly, one at a time. Bring in tension by making the animal less-than-perfect. It might poop in the house, claw the sofa or chew the expensive shoes.

            You can also through in a bit of comedy, for we all enjoy those videos of cats squeezing into tiny boxes and dogs trying to swallow all the water from a hose.

            Have fun with this one.

Developing a New Character

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            It’s easy to reuse characters that we know and love. We’ve already established who they are, what they like and don’t like and the things they do. We’ve created friends, jobs, homes. And enemies as well as tension points.

            Your task is to create an entirely new character.

Do some online photo research by putting in age, skin color and gender. From that range of photos, choose one that seems the most likely to star in your next story.

Expand your search to include things they might wear, from top to bottom.

Add a quirk to their appearance. It might be a sprinkling of freckles or an entire constellation of them. Perhaps there’s a mustache turned up at the ends or maybe a hint of beard. Short hair, long, or none at all. Blonde, bleached blonde, tinted with blue or shaven completely off.

Choose height. Do you want your character to tower over others in an intimidating way or to be short and diminutive? Heavy or wiry? Muscular or flabby? Short neck or long? Wide square shoulders or droopy ones?

Next come up with about three likes and three dislikes. For example, hates bacon but loves rap music. Loves boots but hates the smell of coffee.

The more unusual the character, the more interesting the story will be.

Have fun with this one.

Winter Storms

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            Some winters are rather mild: little precipitation and temperatures not too extreme.  When it’s like this, we can walk outdoors, work in the garden, go hiking in a nearby park.

            Then there are winters in which there’s nonstop rain, tornadoes, hail and snow that grows deeper by the day.

            It’s frigid indoors and out. Even when bundled up from the tops of our heads to the tips of our toes, we freeze. We put electric blankets on our bed of layer so many blankets that the weight presses down on our stomachs.

            Some days we don’t leave the house. The roads are slick with ice or flooded with still falling rain. Snow is piled up over the tops of cars and streets are impassable. Trees whose roots are loosened by rain, topple over. Winds blow and howl like a banshee.

            Winter storms impact what we can do and how we go about doing it.

            Your task is to write a story in which a storm plays a major role.

            A good place to begin is by narrowing down what type of storm happens. Choose something familiar. If you live in tornado alley, then a tornado might be the first choice. If you are plagued by downed power lines whenever a stiff wind blows, then include that in your story.

            Make the effects extreme in order to build tension.

            Have fun with this one.

Photo Prompt

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            Sometimes we need a little help to get started. One prompt that seems to work is using an unfamiliar photo.

            Go online and search photos about dogs, kids or events. Or maybe food, clothes or places to see.

            Choose the one photo that speaks to you.

            Give yourself permission to ponder for no more than three minutes.

            Set a timer and write for eight to ten minutes.

            You might now have a good beginning for a story or essay you’d like to edit and lengthen.

            Have fun with this one.

Pitching Your Story

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            You’ve finished your story. You’ve workshopped it, edited it, shared it with family and friends. You’ve changed the things that needed to be changed. In your mind, it’s complete and ready to be pitched.

            You signed up for a writer’s conference in which you’ll have the opportunity to pitch it to several agents.

            The next steps are writing the query letter, the story synopsis and the elevator pitch to the agent.

            You might think that these overlap in terms of content: you are correct.

            The query will include a short synopsis of about one to two paragraphs, at most. The main purpose is to hook a potential agent into asking to read a portion of your manuscript. It also includes a brief bio which makes clear why you’re the one to tell the story.

            The synopsis is a one-page summary of the main points of the story. You introduce the protagonist, her internal and external motivations, the key elements that propel the story forward by increasing tension as the character struggles to fulfill her motivations, the climax where all that tension reaches its peak, then the ending.

            The pitch is a three to five minute speech in which you say what your story’s about.

            Your task is to write these three documents. It won’t be easy. You’ll rewrite each several times.

            Have fun with this one.